When you talk about getting your trumpets adjusted so that they respond perfectly to you or matching and adjusting a mouthpiece so that it works perfectly with your horn, you are probably already thinking about Bob Reeves!
Keep your horn clean and you will never have a problem with sticky valves or slides. Keeping it clean inside also removes bacteria that can build up in the tubing.
‘Design Innovations’ is a series of articles looking at new and innovative developments in trumpet design, as well as gadgets and tools that are designed to make our practice and performance easier.
Mario Guarneri will be known to many readers as a performer and educator of the highest calibre. A former member of the Los Angeles Philharmonic, Mario is also in demand as lecturer on the pedagogical concepts involved with his designs. Here he shares some thoughts and insights on the processes involved with the development of the BERP.
Practice Mutes have become accepted as a necessary evil for brass players. They are not an ideal way of preparing yourself, however there are times where we all accept that you just need to practice or warm-up quietly. Listed below are a number of mutes currently available that will all do the job. They will all have different strengths though, so I have tried to demystify them somewhat with this ‘Buying Guide’.
Marvin Stamm is a colossus of the music world, having performed and recorded with many jazz legends throughout his illustrious career. At 79-years-young, he is still going strong and and has many interesting thoughts here on adapting to change, both musically and physiologically over the years. There is sound and compelling advice here for musicians of all instruments and of all ages!
When I left music college (nearly) 20 years ago, the approach to building a healthy portfolio of freelance work as a trumpeter was rather different to now: Face-to-face networking; Being in “the right place at the right time” with the right people; Backing up any opportunities by being a “good guy to have around” and a good player. This was the limit to one’s self-marketing.
It struck me at the time that even when things were busy, and the diary was booked up a couple of months ahead, there was never a feeling of being in control and having ‘ownership’ (this seems to be the buzz word) of your career. This is what led me to start to explore other things that I could do alongside the trumpet-playing that could bring me more of a sense of control over my own career.
Speaking to younger professionals now, I see quite a different picture. The opportunities that the internet has brought are vast, and musicians are quickly learning how to maximise what it has to offer. Players now have limitless control over their own image and career. This series looks at this in more detail:
Next up in 'Part 2' to help me look at this in more depth is Kate Amrine. Kate is a trumpet player and educator based in New York City. She currently freelances in many different genres from Orchestra to Broadway, and also is an active soloist, currently working on her second album. Music entrepreneurship has always been an interest and she recently presented her "Designing your Career in Music" masterclass at New York University where Kate has been an Adjunct Professor since 2013.
When I left music college (nearly) 20 years ago, the approach to building a healthy portfolio of freelance work as a trumpeter was rather different to now: Face-to-face networking; Being in “the right place at the right time” with the right people; Backing up any opportunities by being a “good guy to have around” and … Continue reading ‘Professional Development’ Part 1 : Becca Toft
'Design Innovations' is a series of articles looking at new and innovative developments in trumpet design as well as gadgets and tools that are designed to make our practice and performance easier. Next up in this series is Jaeger Brass...
At the ITG Conference 2018 I managed to meet with a number of great people to conduct interviews, none greater than Philip Smith! Former Principal Trumpet with the New York Philharmonic, Phil shares his approach to both trumpet and cornet, and also speaks candidly about his recent experiences with Focal Dystonia.
I think that the concept of a saxophonist and former violinist becoming one of the most well-respected and well-known trumpet (and brass) teachers is a fascinating one. His callisthenic approach will be well-known to many readers through his publications, but in addition to this concentration on the physical synchronisation of different muscle groups, he also … Continue reading The Carmine Caruso Legacy
Mary Elizabeth Bowden most likely needs little introduction. Gold Medal Global Music Award Winner, Yamaha Performing Artist and acclaimed soloist, she has received plaudits from audiences around the globe for her scintillating performances and recordings. I am grateful to Mary for her time and for sharing some thoughts with me...
Marc Geujon is Principal Trumpet of the Orchestre de l’Opéra National de Paris. As well being a Professor at the Conservatoire de Saint Maur des Fossés, he is growing in reputation as a soloist and educator. I was delighted to be able to catch up with him and also to find out about his latest collaboration with Schilke.
Acclaimed trumpet soloist and respected educator Rex Richardson has been described as "one of the world’s most engaging and astonishingly versatile trumpeters" (Style Weekly), and "among the very best trumpet soloists in the world today" (ITG). I was delighted to be able to catch up with him and to find out more.
I met up with Markus Stockhausen on a (typically) rainy day at the Royal Northern College of Music in Manchester, UK on 23rd March 2018. He is a trumpeter at the cutting edge of modern performance, and as I was to find out during the course of this interview, a fascinating one at that! JH: … Continue reading Trumpet Artist Profile: Markus Stockhausen
D.H. Lawrence writes: “Never set a child afloat on the flat sea of life with only one sail to catch the wind.” The same could easily be said about trumpet students and the importance of developing versatility in not only their playing but also their outlook on life.
There are not many 22-year-olds that made it onto my list of fabulous trumpet players that I wanted to try to interview. Matilda Lloyd's biography however, is glitteringly impressive and it does not seem possible to have achieved so much in music at such a young age! Matilda came to prominence in the UK in … Continue reading Trumpet Artist Profile: Matilda Lloyd