Trumpet Artist Profile: Marvin Stamm

Marvin Stamm is a colossus of the music world, having performed and recorded with many jazz legends throughout his illustrious career. At 79-years-young, he is still going strong and and has many interesting thoughts here on adapting to change, both musically and physiologically over the years. There is sound and compelling advice here for musicians of all instruments and of all ages!

‘Professional Development’ Part 2 : Kate Amrine

When I left music college (nearly) 20 years ago, the approach to building a healthy portfolio of freelance work as a trumpeter was rather different to now:  Face-to-face networking; Being in “the right place at the right time” with the right people; Backing up any opportunities by being a “good guy to have around” and a good player.  This was the limit to one’s self-marketing. It struck me at the time that even when things were busy, and the diary was booked up a couple of months ahead, there was never a feeling of being in control and having ‘ownership’ (this seems to be the buzz word) of your career.  This is what led me to start to explore other things that I could do alongside the trumpet-playing that could bring me more of a sense of control over my own career. Speaking to younger professionals now, I see quite a different picture.  The opportunities that the internet has brought are vast, and musicians are quickly learning how to maximise what it has to offer. Players now have limitless control over their own image and career.  This series looks at this in more detail: Next up in 'Part 2' to help me look at this in more depth is Kate Amrine.  Kate is a trumpet player and educator based in New York City.  She currently freelances in many different genres from Orchestra to Broadway, and also is an active soloist, currently working on her second album.  Music entrepreneurship has always been an interest and she recently presented her "Designing your Career in Music" masterclass at New York University where Kate has been an Adjunct Professor since 2013.

Trumpet Artist Profile: Philip Smith

At the ITG Conference 2018 I managed to meet with a number of great people to conduct interviews, none greater than Philip Smith!  Former Principal Trumpet with the New York Philharmonic, Phil shares his approach to both trumpet and cornet, and also speaks candidly about his recent experiences with Focal Dystonia.

The Carmine Caruso Legacy

I think that the concept of a saxophonist and former violinist becoming one of the most well-respected and well-known trumpet (and brass) teachers is a fascinating one. His callisthenic approach will be well-known to many readers through his publications, but in addition to this concentration on the physical synchronisation of different muscle groups, he also … Continue reading The Carmine Caruso Legacy

Trumpet Artist Profile: Rex Richardson

Acclaimed trumpet soloist and respected educator Rex Richardson has been described as "one of the world’s most engaging and astonishingly versatile trumpeters" (Style Weekly), and "among the very best trumpet soloists in the world today" (ITG). I was delighted to be able to catch up with him and to find out more.

pBuzz: Brass Playing for Younger Children

Encouraging younger students to play brass instruments in a crowded marketplace full of competition for children’s attention is a tough task. Warwick Music (the team behind pBone and pTrumpet) has set about opening up “buzzing” to the masses in the hope that the pBuzz can be the gateway instrument to get children interested in brass. Recorders have been a mainstay of primary schools across the world for many years, and ukuleles have also been very popular as an affordable way for hard-up schools to introduce musical instruments in the classroom at an early age. So, why not brass?!...

1st things 1st…

A new school term is just starting, with thousands of children picking up a trumpet for the first time this month. The purpose of this article is to look at how we as teachers approach these crucial first few weeks, what our priorities are to ensure sustained enthusiasm and a solid technical and musical grounding… and also any tips and tricks that we have learnt that help to achieve this.