How can we develop jazz vocabulary?
“Mental practice preparation” - Getting ourselves in the right frame of mind, and then planning and executing our practice goals - an article by Sam Neufeld of 'Trumpet Warmup'.
Trumpet Warmup (trumpetwarmup.com) is a great new online portal for trumpet players, allowing you to customise your routine with the aid of resources from top artists and educators. Sam Neufeld, the website's founder, speaks to me here about his exciting new venture. Can you give a little background to your relationship with the trumpet? At … Continue reading Trumpet Warmup
The last few years have seen a number of great advances in the integration of technology to the music practice room, teaching studio and performance platform. Going 'paperless' as a musician is heralded as a worthy goal to aspire to, but how many musicians really believe that this is achievable? Well I decided to see if this was possible. With the help of my upgraded iPad and nkoda, I set myself the challenge of going paperless for 2 months.
So, here is a really interesting new product that I have been sent through for review… The Vhizzper mute is the brainchild of Christoph Baerwind, trumpeter in ‘German Brass’ and ‘Der Orchester der Hamburgischen Staatsoper’. The essential concept is a practice mute that can also be used as a mouthpiece mute. This is not something that I have encountered before so was fascinated to give it a try.
Practice Mutes have become accepted as a necessary evil for brass players. They are not an ideal way of preparing yourself, however there are times where we all accept that you just need to practice or warm-up quietly. Listed below are a number of mutes currently available that will all do the job. They will all have different strengths though, so I have tried to demystify them somewhat with this ‘Buying Guide’.
At the ITG Conference 2018 I managed to meet with a number of great people to conduct interviews, none greater than Philip Smith! Former Principal Trumpet with the New York Philharmonic, Phil shares his approach to both trumpet and cornet, and also speaks candidly about his recent experiences with Focal Dystonia.