‘Design Innovations’ is a series of articles looking at new and innovative developments in trumpet design, as well as gadgets and tools that are designed to make our practice and performance easier. Mario Guarneri will be known to many readers as a performer and educator of the highest calibre. A former member of the Los Angeles Philharmonic, Mario is also in demand as lecturer on the pedagogical concepts involved with his designs. Here he shares some thoughts and insights on the processes involved with the development of the BERP.
‘Design Innovations’ is a series of articles looking at new and innovative developments in trumpet design as well as gadgets and tools that are designed to make our practice and performance easier. Next up in this series is Asper Trumpet products…
'Design Innovations' is a series of articles looking at new and innovative developments in trumpet design, as well as gadgets and tools that are designed to make our practice and performance easier. First in the series is the Gapper™. David Hunsicker, the inventor, is currently the trumpet professor at Wichita State University and Principal Trumpet of … Continue reading ‘Design Innovations’ Part 1 : Gapper
I think that the concept of a saxophonist and former violinist becoming one of the most well-respected and well-known trumpet (and brass) teachers is a fascinating one. His callisthenic approach will be well-known to many readers through his publications, but in addition to this concentration on the physical synchronisation of different muscle groups, he also … Continue reading The Carmine Caruso Legacy
Acclaimed trumpet soloist and respected educator Rex Richardson has been described as "one of the world’s most engaging and astonishingly versatile trumpeters" (Style Weekly), and "among the very best trumpet soloists in the world today" (ITG). I was delighted to be able to catch up with him and to find out more.
"There are so many recordings that I am very proud of, but maybe the proudest moment was the first time I worked with my son."
D.H. Lawrence writes: “Never set a child afloat on the flat sea of life with only one sail to catch the wind.” The same could easily be said about trumpet students and the importance of developing versatility in not only their playing but also their outlook on life.
There are not many 22-year-olds that made it onto my list of fabulous trumpet players that I wanted to try to interview. Matilda Lloyd's biography however, is glitteringly impressive and it does not seem possible to have achieved so much in music at such a young age! Matilda came to prominence in the UK in … Continue reading Trumpet Artist Profile: Matilda Lloyd
Johnny Thirkell is one of the most recorded trumpet players still working today. Through the 80s and 90s, as well as being a member of Level 42, Swing Out Sister and Jamiroquai, he has also worked with George Michael, Bruno Mars, Phil Collins, Pet Shop Boys, Kylie Minogue, Eric Clapton, Buddy Rich, The Who and Tina Turner. He has performed on over 6000 recordings including 23 No.1 records – most recently the Bruno Mars/Mark Ronson smash, “Uptown Funk”. The list goes on and on!!
Encouraging younger students to play brass instruments in a crowded marketplace full of competition for children’s attention is a tough task. Warwick Music (the team behind pBone and pTrumpet) has set about opening up “buzzing” to the masses in the hope that the pBuzz can be the gateway instrument to get children interested in brass. Recorders have been a mainstay of primary schools across the world for many years, and ukuleles have also been very popular as an affordable way for hard-up schools to introduce musical instruments in the classroom at an early age. So, why not brass?!...
Regular readers will most likely need no introduction to Allen Vizzutti - an artist of the highest calibre: soloist, recording artist, composer, educator and master clinician!
Raynald Colom is one of the bright talents to emerge from the thriving Spanish jazz scene to make a splash on the International circuit. Described as “a simply superb trumpet player” by JazzWise and “a force of spirit and feeling” by DownBeat Magazine, it is easy to see why his profile is on the rise.
A new school term is just starting, with thousands of children picking up a trumpet for the first time this month. The purpose of this article is to look at how we as teachers approach these crucial first few weeks, what our priorities are to ensure sustained enthusiasm and a solid technical and musical grounding… and also any tips and tricks that we have learnt that help to achieve this.
With a rapidly growing profile on the UK and International Jazz circuits, and an ever-increasing back catalogue of critically-acclaimed recordings to his name, I am immensely grateful to trumpeter and Schilke Artist, Steve Fishwick for giving up his time to share his thoughts and insights...
Residential Trumpet Course Feature: The Australasian Trumpet Academy
Music education has changed drastically over the past few years, and is a topic upon which instrumental teachers have often lamented. In the UK in particular we had a sudden shift to whole-class and group instrumental tuition 12 years ago, which has taken a long time to establish itself as anything more than a musical … Continue reading Resources for Group Trumpet Tuition